It’s a real pleasure not to have to worry about retouching sensor dust spots on G9 images in Photoshop. It boasts a pretty darn sharp 35mm – 210mm (in 35mm equivalence) zoom lens, has great macro capabilities, extreme depth of field, and excellent image stabilization. I say more because the G9 also has a wonderful, bright, large LCD screen with live-viewing as you shoot, and a rich and well thought out menu system / control buttons. The G9 delivers all this and more, in an exceptionally compact, well built, and tote-able form factor. And I need lots of pixels, as my customers prefer large prints, from 24” to 30” plus wide. I need RAW files, so that I can “do my thing” in Photoshop.
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What I do care about is image quality at low ISO, ISO 80 in the case of the G9, reasonably quick performance, fully manual control, and a hot shoe for external flash control. In my fine art photography, I rarely care about high ISO performance or high speed shooting. They say, “The proof is in the pudding.” Pudding in this context, for me, is the final fine art image and print, as that’s my gig. The reader may find it noteworthy that while I have used and loved the Canon 1Ds, then the 1Ds II and now the 1Ds III, I am perhaps more excited about the G9 these days. Rather than rehashing the volumes already written about these two new cameras, I am going to give you my subjective, biased, point of view.
Image 1: The Canon 1Ds Mark III through the “eyes” of a Canon G9 Please Visit the all new Digital Outback Photo
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